"Portrait Of A Lady In White" By ~ Louis Lie Perin-Salbreux ~ 1753 - 1817.

Louis Lie Perin-Salbreux (1753 Reims - 1817 ibidem) was the son of a cloth manufacturer in Reims, where he studied under Ganes, called Clermont. At the age of 25 he went to Paris, where he became a student of Lemmonier and Sicardi and became friendly with Roslin, who is said to have advised him to specialise in miniature painting. In fact, Perin excelled in this field, although he also did portraits in oils and in pastel. He exhibited at the Salon from 1793 to 1798 and seems to have rapidly gained success in Parisian aristocratic circles, a clientele he was forcibly deprived of by the Revolution.

"Iris" By ~ Norman Prescott-Davies ~ 1880 - 1910.

Davies studied at the Royal College of Art, Guilds Art School, and at Heatherley’s.  He then worked in London as a miniaturist, portrait and figure painter.  He began to exhibit at age 18.  He was a Fellow of the Royal Society and Royal Society of British Artists.  His work has been reproduced into calendars and posters by the thousands.

"He Loves Me", By Jozsef Molnar ~ 1821 - 1899.

József Molnár (1821-1899) - He loves me…, 1879

"Forget Me Not", By ~ Arthur Hughes - 1832 - 1915.

Arthur Hughes (British, 1832-1915)
The London born Arthur Hughes studied at the Somerset House School under Alfred Stevens and later at the Royal Academy Schools were he met Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt. Together Hughes and Rossetti helped create the mural of the Oxford Union.

Hughes became influenced by the Pre-Raphaelite ideals as a result of reading their briefly published magazine, The Germ, which was introduced to him by fellow School of Painting sculptor, Alexander Munro. He would become one of the second generation Pre-Raphaelites along with Edward Burne Jones and John Roddam Spencer Stanhope.

"The Jade Necklace", By ~ William Clarke Wontner ~ 1857 - 1930.

William Clarke Wontner
1857 - 1930
London, England

William Clarke Wontner was a neo-classical painter during the neo-classical movement of England, of which Lawrence Alma-Tadema was the foremost leader. Wontner added Orientalist elements into his paintings because he loved to paint seductive women often against white marble walls in classical oriental settings.

Portrait,"The Laurel Wreath" By ~ Frederick Sandys ~ 1829 - 1904.

Frederick Sandys was one of the finest draughtsmen of the Victorian period. Until his very last days he was drawing almost entirely in chalk in his Victorian house on Hogarth Road. His family became the principle subjects of his work during these years and his youngest daughter Gertrude was the sitter for The Laurel Wreath.

Portrait Dame Mit Hut (Lady With Hat) By ~ Anton Einsle. ~ 1801 - 1871.

Anton Einsle (1801 Vienna - 1871 ibidem) was a very significant Austrian portrait painter of the 19th century. At the age of 13 he began studying at the Vienna Academy and painted his first works on commission at 16. His first portraits in oil and miniatures are known to appear in 1827. His works were represented at all great exhibitions in Vienna from 1830 on. Einsle worked in Prague and Budapest for a few years. He soon became a favourite portrait painter of high aristocracy and royals and was an official portraitist of Kaiser Franz Josef I. Works by Einsle are represented in many museums in Austria and abroad.

"A Girl Reading In A Sailing Boat" By Alfred Chantrey Corbould ~ 1852 - 1920.

A Girl Reading in a Sailing Boat (1869)

"Ballerina". By ~ Herbert James Draper ~ 1854 - 1920.

Herbert James Draper

Herbert James Draper - best known for his dramatic and romantic paintings of sweeping mythological and literary subjects. He was a painter of beautiful, romantic subjects and considered a latter pre-raphaelite style artist. His work displays a keen sense of drama and color, with subjects or entire art works depicted in a singular, closely related color . Although almost reaching a point of being monochromatic, Draper's color style is clearly defined and brings about a dream like feeling. The painting Lament for Icarus is a primary example of Draper's color use.

"Grazieuse", By ~ Angelo Asti ~ 1807 -1903.

Angelo Asti (1807-1903) was a well-known French artist who specialized in portraits of beautiful women.
Some consider him the father of the pin-up art as his work was widely used in calendars and postcards.
Unlike Stieler whose portraits were very classical, Asti's are of Art Nouveau style. 

"Colour Thy Soul", By Armand Point ~ 1860 - 1932.

Point began his career as a realist, painting scenes set in North Africa. After a trip to Italy in 1893, he became enamored of the works of the Italian artists of the 14th and 15th centuries and adopted their styles as well as their medium of tempera painting. Point became associated with the symbolist movement in the 1890s and worked with Joséphin Péledan (1858-1918), the high priest of the Rosicrucian brotherhood. Members of this group sought to bring art closer to the ideals of Catholicism through the use of mysticism, legend, allegory, and dreams.

Porcelain Portrait,By Freeman

"The Courtship", By ~ Theodore Levigne ~ 1848 - 1912.

Théodore Levigne was born in 1848 in Noirétable, dying in Lyons in 1912. He was a painter of portraits, genre scenes, seascapes and landscapes with figures. His landscapes, which are often set in winter, depict in half tones the damp and misty waterways around Lyons, where he settled, although he also painted seascapes of the sun-drenched Mediterranean coast. In 1998, the Atrium in Tassin-La-Demi-Lune presented a retrospective of his work.

"Innocence" BY ~ William Bouguereau ~ 1825 - 1905.

"William Bouguereau is unquestionably one of history's greatest artistic geniuses. Yet in the past century, his reputation and unparalleled accomplishments have undergone a libelous, dishonest, relentless and systematic assault of immense proportions. His name was stricken from most history texts and when included it was only to blindly, degrade and disparage him and his work. Yet, as we shall see, it was he who single handedly opened the French academies to women, and it was he who was arguably the greatest painter of the human figure in all of art history. His figures come to life like no previous artist has ever before or ever since achieved. He wasn't just the best ever at painting human anatomy, more importantly he captured the tender and subtlest nuances of personality and mood. Bouguereau caught the very souls and spirits of his subjects much like Rembrandt. Rembrandt is said to have captured the soul of age. Bouguereau captured the soul of youth.

"Girl With Flute" ~ Porcelain Plaque ~ 1900's.

The Letter, By ~ Vladislav Chahursky ~ 1850 - 1911.

Vladislav Chahursky (Polish Władysław Czachórski; race. September 25, 1850 (18,500,925) Lublin - the mind. January 13, 1911 Munich) - Polish painter of the academic direction.
B. Chahursky studied painting in Warsaw at classroom risunkovom Rafał Hadzevicha later - in Dresden (1868) and Munich (1869-1873). In 1874-1877 years he makes a trip to France and Italy. Since 1879 he has been living in Munich, where he works as a professor of painting in the local Academy of Arts.

The theme for his paintings of the artist chose the genre scenes, wrote as portraits and still lifes, paintings on the works of William Shakespeare. Was under the creative influence of Dutch painters, especially G. Terborch. Special well-known artist brought his female portraits made with the utmost attention to detail. The works of Chahurskogo were so in demand that customers had to wait for their turn to 2 years. After the death of Chahurskogo some Polish artists (such as E. Nevyadomsky in 1923) have criticized the master, accusing him of cosmopolitanism, the commercialization of art and even the loss of talent. Nevertheless, the papers of Chahorskogo to this day are very much appreciated.

Marie Antoinette Portrait.

Marie Antoinette.

"Bocca Baciata" (The Kissed Mouth) ~ By Dante Gabriel Rossetti ~ 1828 - 1882.

Dante Gabriel Rossetti

Rossetti was born, the son of an Italian patriot and political refugee and an English mother, in England. He was raised in an environment of cultural and political activity that, it has been suggested, was of more import to his learning than his formal education. This latter was constituted by a general education at King's College from 1836 to 1841 and, following drawing lessons at a school in central London at the age of fourteen, some time as a student at the Royal Academy from 1845 onwards. Here he studied painting with William Hollman Hunt and John Everett Millais who, in 1848, would set up the Pre-Raphaelite Brotherhood with Rossetti, Rossetti's younger brother and three other students.

"Soiree de Mai" By ~ Elisabeth Sonrel ~ 1874 - 1953.

Elizabeth Sonrel was the daughter of the painter from Tours, Stephane Sonrel, from whom she received her early artistic guidance. To further her artistic studies she moved on to Paris where she became the pupil of the famous artist Jules Lefebvre at his Ecole des Beaux-Arts. The Tours museum owns her diploma work, Pax  et Labor, which was executed in 1892 at the age of 18 and shows how tremendously precocious she was.

She showed at the Salon des Artistes français in Paris from 1893 to 1941, especially large watercolors of idealized women that have both a certain Pre-Raphaelite intensity (since a journey in Italy, to Florence and Rome where she discovered the Renaissance painters, she deeply admired Botticelli) and an affinity to French symbolist painting. She was inspired by Arthurian romance, biblical subjects, archaic legends and medieval love. Some of her mystical works include Ames errantes (Salon of 1894) and Les Esprits de l’abime (Salon of 1899) and Jeune femme a la tapisserie which has an inspiration close to the famous symbolist Maxence. She did not however adhere to the symbolist movement that, besides, totally ignored her.

"Elegante au Chapeau", By ~ Jules Toulot ~ 1863.

Jules Toulot (French, b.1863)

Elegante au chapeau

Lady Holding A Fan, By ~ Jules Charles Aviat ~ 1844 - 1931.

Jules Charles Aviat  (1844 - 1931)
[Jules Aviat, Jules-Charles Aviat]

Pupil of:

E. Hebert, Leon Bonnat, and Lafrance

Jules Aviat was born at Brienne-le-Chateau, in the Department of Aube, and is a pupil of E. Hebert, Leon Bonnat, and Lafrance. His female portraits are especially esteemed, although he is also strong in male portraiture. His imaginative pictures are always graceful, refined, decorative in treatment, and charmingly delicate in color.

"Good Council", By John Atkinson Grimshaw ~ 1836 - 1893.

John Atkinson Grimshaw was a British landscape painter. Born in Leeds, he remained in the north of England for most of his life. He first began painting while working as a clerk for the Great Northern Railway. In 1861 he left his job and decided to become a full-time artist.

John Atkinson Grimshaw ~ "Good Council"

Grimshaw’s early works were true to the Pre-Raphaelite style, with painted landscapes of accurate colour and lighting, and vivid detail. By the late 1860s he had begun to experiment with moonlit scenes, initially concentrating on rural areas before including cityscapes and docksides. He often painted images that typified seasons or a type of weather with city and suburban streets and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow featuring largely in his art.

"The Flower Seller", By ~ Valetine Cameron Orinsep ~ 1838 - 1904.

Born in Calcutta, the son of an Indian civil servant who was able to afford a house in Holland Park, one of the most fashionable areas of London, and to send his son to Haileybury, Valetine Prinsep was also fortunate to have as his teacher, George Frederick Watts, an historical and portrait painter, now regarded as one of the foremost of the Victorian artists.
Watts, who seems to have been a permanent guest in the Prinseps' home - a meeting place for all the major artists, poets and writers of the day - eventually suggested that Valentine should go to Paris to complete his art education under Gleyre, who was considered by English students to be the best art teacher in France.
Prinsep returned to England and exhibited a hundred pictures at the Royal Academy from 1862 and 1904.

Girl Holding a Lily, By ~ John Simmons _ 1823 - 1876.

John Simmons was a Bristol-based painter whose main output was portraiture, but who painted a series of beautiful and deliciously erotic watercolours of female fairies. The majority of these watercolours were painted in the 1860s and depict scenes from Shakespeare's A Midsummer Night's Dream. His Titania is in the collection of Bristol Museum and Art Gallery and was included in the exhibition Victorian Fairy Painting at the Royal Academy in 1997-1998.

"A Fair Beauty,Lily", By ~ Herbert Schmalz ~ 1856 - 1935.

Herbert Schmalz was born in England to a German father - Schmalz is best known under that name, but changed his name to Carmichael in 1918.

Schmalz’s art training was fairly conventional, including studying at South Kensington and the Royal Academy Schools, and then abroad in Antwerp. Schmalz knew Leighton, living near him in Kensington, and marrying the sister of Dorothy Dene, who was one of Leighton’s favorite models.

Schmalz developed a style influenced by the Pre-Raphaelites, but more soft, showing single figures or groups, over-pious religious scenes and sentimental lovers, and some topographical paintings. Schmalz also produced Orientalist paintings featuring girls with pots, camels etc somewhat akin to work by Goodall. All of this was well calculated to impress the Victorian public, and much of Schmalz paintings were widely reproduced in magazines and as prints.
F

Waiting In The Garden, By Stephen Reid ~ 1873 - 1948.

Stephen Reid

Artist

Stephen Reid was a Scottish illustrator and painter who specialised in Georgian settings and costume pieces. Born in Aberdeen, he was educated Gray's School of Art and the Royal Scottish Academy.

Varens, By ~ Philip Richard Morris ~ 1838 - 1902.

Philip Richard Morris (1836 - 1902) was an English painter of genre and maritime scenes (particularly allegorical ones of rural life), Holman Hunt-influenced religious paintings and (later in his career) portraits. He was a member of No 2 Company of The Artists Rifles.

Portrait Of A Lady, By ~ Etienne Adolphe Piot ~ 1850 - 1910.

Etienne Adolphe Piot was a painter of portraits and genre subjects.

A pupil of Leon Cogniet, Piot made his Paris Salon debut in 1850 and became a member of the Society of French artists in 1883. In 1890 he obtained an honourable mention.

As a commercial artist, Piot was highly successful. He was able to capitalize on the growing demand for portraits from the upper echelons of Parisian society. Every Debutante in Europe would sit for artists like Piot, nowhere more so than in the French capital during the belle epoch. The captivating mystery he was able to give his patrons through portraiture ensured the artist was always in demand and although we do not know the identity of the sitter in this example, Reflective Mood is typical of Piot’s work at this time.