Marie Antoinette. |
Popular Posts
-
Drouais was the successor to Nattier as the chief portrait painter at the court of Louis XV. He portrayed most of the leading figures o...
-
Herbert James Draper Herbert James Draper - best known for his dramatic and romantic pai...
-
Anton Einsle (1801 Vienna - 1871 ibidem) was a very significant Austrian portrait painter of the 19th century. At the age of 13 he bega...
-
T. C. Chiu T. C. Chiu was born in China and developed an interest in art when he was a young child. ...
-
Charles-Amable Lenoir (22 October 1860–1926) was a French painter . Like his mentor, William-Adolphe Bouguereau , he was an academic paint...
-
Internationally collected oil painting artist Marty Bell, born in 1931,emerged with new developments in her style and direction. Prope...
-
William Clarke Wontner 1857 - 1930 London, England William Clarke Wontner was a neo-classical ...
-
Louis Lie Perin-Salbreux (1753 Reims - 1817 ibidem) was the son of a cloth manufacturer in Reims, where he studied under Ganes, called ...
-
The genre painter and portrait painter Anatole Vély (1838-1882)was born in Ronsoy (Somme). He studied at the Académie de Valenciennes a...
Saturday, October 20, 2012
"Bocca Baciata" (The Kissed Mouth) ~ By Dante Gabriel Rossetti ~ 1828 - 1882.
Dante Gabriel Rossetti
Rossetti was born, the son of an Italian patriot and political refugee and an English mother, in England. He was raised in an environment of cultural and political activity that, it has been suggested, was of more import to his learning than his formal education. This latter was constituted by a general education at King's College from 1836 to 1841 and, following drawing lessons at a school in central London at the age of fourteen, some time as a student at the Royal Academy from 1845 onwards. Here he studied painting with William Hollman Hunt and John Everett Millais who, in 1848, would set up the Pre-Raphaelite Brotherhood with Rossetti, Rossetti's younger brother and three other students.
Tuesday, October 16, 2012
"Soiree de Mai" By ~ Elisabeth Sonrel ~ 1874 - 1953.
Elizabeth Sonrel was the daughter of the painter
from Tours, Stephane Sonrel, from whom she received her early
artistic guidance. To further her artistic studies she moved on
to Paris where she became the pupil of the famous artist Jules
Lefebvre at his Ecole des Beaux-Arts. The Tours museum owns her
diploma work, Pax et Labor, which was executed in 1892
at the age of 18 and shows how tremendously precocious she was.
She showed at the Salon des Artistes français
in Paris from 1893 to 1941, especially large watercolors of idealized
women that have both a certain Pre-Raphaelite intensity (since
a journey in Italy, to Florence and Rome where she discovered
the Renaissance painters, she deeply admired Botticelli) and an
affinity to French symbolist painting. She was inspired by Arthurian
romance, biblical subjects, archaic legends and medieval love.
Some of her mystical works include Ames errantes (Salon
of 1894) and Les Esprits de l’abime
(Salon of 1899) and Jeune femme a la tapisserie which has
an inspiration close to the famous symbolist Maxence. She did
not however adhere to the symbolist movement that, besides, totally
ignored her.
Monday, October 15, 2012
Sunday, October 14, 2012
Lady Holding A Fan, By ~ Jules Charles Aviat ~ 1844 - 1931.
Jules Charles Aviat (1844 - 1931)
[Jules Aviat, Jules-Charles Aviat]
Jules Aviat was born at Brienne-le-Chateau, in the Department of Aube, and is a pupil of E. Hebert,
Leon Bonnat, and Lafrance. His female portraits are especially esteemed, although he is also strong in
male portraiture. His imaginative pictures are always graceful, refined, decorative
in treatment, and charmingly delicate in color.
[Jules Aviat, Jules-Charles Aviat]
Pupil of: | E. Hebert, Leon Bonnat, and Lafrance |
"Good Council", By John Atkinson Grimshaw ~ 1836 - 1893.
John Atkinson Grimshaw was a British landscape painter. Born in Leeds,
he remained in the north of England for most of his life. He first began
painting while working as a clerk for the Great Northern Railway. In
1861 he left his job and decided to become a full-time artist.
Grimshaw’s early works were true to the Pre-Raphaelite style, with
painted landscapes of accurate colour and lighting, and vivid detail. By
the late 1860s he had begun to experiment with moonlit scenes,
initially concentrating on rural areas before including cityscapes and
docksides. He often painted images that typified seasons or a type of
weather with city and suburban streets and moonlit views of the docks in
London, Leeds, Liverpool, and Glasgow featuring largely in his art.
John Atkinson Grimshaw ~ "Good Council" |
Subscribe to:
Posts (Atom)